Loosely based on "Little Orphan Annie," a Depression-era cartoon strip, the narrative of “Annie” is straightforward – plucky, red-headed orphan warms the heart of a billionaire industrialist. Along the way, she also inspires Franklin Delano Roosevelt, uplifts our hearts and adopts a dog. Read more» 
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In conjunction with a production of "Fiddler on the Roof," Pima Community College will host a Family Heritage Celebration next month. The public is asked to share photos, poems and stories as part of a multimedia project that will be featured on the opening night of the musical. Read more»
The musical production plays off the cult following which bad movies of a certain earnestness, like “Xanadu,” can attain. It features hits by both Newton-John and Electric Light Orchestra’s Jeff Lynne, roughly paralleling the movie while making fun of its preposterousness, and skating dangerously close to unfettered nostalgia for the disco era. Read more»
Arizona Theatre Company’s production of “Jane Austen’s Emma” is a pleasant confection, with excellent performances, especially by Disney TV’s Anneliese van der Pol in the title role. Read more»
The musical “In The Heights,” winner of the 2008 Tony Award for Best Musical, is about a neighborhood in Manhattan, but it also a universal story about community. Read more»
The musical “Bat Boy” is a comedy mash-up/homage encompassing sci-fi horror films, Broadway musicals, rural rednecks and Greek mythology that is both awkward and exuberant. In the end, boffo performances tip the balance from totally weird to, well, at least strangely interesting. Read more»
“Sweeney Todd: The Demon Barber of Fleet Street” is Stephen Sondheim’s Tony-winning musical featuring mass murder, cannibalism, reversals of fortune and a fiendishly difficult vocal score. What's not to love? Read more» 1
