“Death and the Maiden” by Ariel Dorfman is not a play given to easy or prepackaged answers - by design, it forces us to examine our own ideas of truth and justice. Read more» 
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“Reckless” is an odd-shaped dark chocolate confection – not particularly sweet, more than a little bitter and very dark, indeed. This Live Theatre Workshop production doesn’t defy logic as much as embrace the surreal. Read more»
Paula Vogel’s 1998 Pulitzer Prize-winning play, “How I Learned To Drive,” is difficult to assess, given its off-kilter comedic and frequently poignant portrayal of a trusted uncle’s incestuous molestation of his niece. Is a successful production enough to overcome the creepy subject matter? Read more»
