A beautifully mounted, intelligently directed, energetically acted production of "Twelfth Night," Shakespeare's beloved social and romantic comedy of mistaken identities and gender-bending, has opened for a three-week run at Arizona Repertory Theatre. Not as "goth" as it's billed, the show is nonetheless smart and vigorous. Read more» 
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His plots, characters and turns of phrase are familiar to everyone. But many of Shakespeare's plays were not published during his lifetime, and might have been lost forever if not for a rare edition published in the years after his death. One of those historic volumes, a 1623 First Folio, is on display in Tucson. Read more» 1
Director Brent Gibbs brings his A game to this adaptation of Mary Shelley’s classic “Frankenstein.” The show’s vibrant bells and whistles fortunately overshadow the weaknesses of its text and create a showcase for the UA’s faculty and student talent, both on stage and behind the scenes. Read more»
The University of Arizona production of “Boeing, Boeing” demonstrates how significantly our values and perceptions have shifted in 50 years, as well as how timeless good physical comedy is. Read more»
The play's taboo subject matter – child molestation by a trusted uncle – is loathsome. Its words and subtext place big demands of its lead actor and actress. Fortunately, director Brent Gibbs has found a cast up to the challenges. Read more»
“The Blonde, the Brunette and the Vengeful Redhead,” a one-woman, seven-character show, unfolds as each character layers on information from her or his perspective. Read more»
